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About this Item: First Edition Library. Condition: Like New. Dust Jacket Condition: Like New. Facsimile of First Edition. This is an exact facsimile copy of the first edition of Goldfinger, by Ian Fleming, part of the James Bond series.


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Both book and jacket are precise copies of the original in every detail. The only indicators that they are facsimiles are the "FEL" on the right flap of the jacket and a small block of explanation on the copyright page. First Edition Library published this book for its members who bought it by subscription. The book comes in a handsome slipcase though the original did not and the slipcase has pastedowns on the front and back - pastedowns of the front and back of the dust jacket.

The book, jacket and slipcase are in fine condition.

Full refund if not satisfied. Published by The Folio Society, London Dust Jacket Condition: Slipcase. Fay Dalton illustrator. First Edition Thus. Condition: Fine. Published by Bruguera.

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About this Item: Bruguera. Muy buen estado, excepto tomo 3, con alguna doblez en esquina inf. Published by Heinemann, UK About this Item: Heinemann, UK, Dust Jacket Condition: Fine. Five Bond books in one volume.


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The book and wrapper are fine. Contents very good. Digital images available upon request. Published by Klub About this Item: Klub , First Edition in Afrikaans. A near fine copy in the original glazed pictorial boards as issued, very light wear to extremities, else a clean bright tight example of this scarce Afrikaans translation of "Goldfnger".

Published by Shelton: First Edition Library Condition: As New. Dust Jacket Condition: As New.

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Facsimile first edition in Very fine condition as is the dustwrapper and slipcase. Seller Inventory ABE Published by Jonathan Cape About this Item: Jonathan Cape, Condition: Fair. Seller Inventory uh Published by London: Jonathan Cape, About this Item: London: Jonathan Cape, First edition hard cover book in good condition. No dust jacket. Fading to gilt lettering along spine but gilt eyes still bright. Bumps to head and foot of spine with some rubbing along front joint. Book slightly shaken. Pages tanned throughout with some small grubby marks to page edges in places.

Published by Macmillan About this Item: Macmillan, Bond 7. Published by Pan, London Hull, United Kingdom. About this Item: Pan, London, The paper boards are vivid in colour with no rubbing or loss. Internally, the pages are free of toning, and very clean indeed. A sublime copy. DJin archival cover ware to the spine and extremities. Stated first printing.

First Ed, First Printing. Black boards with impression of skull with gilt pennies in eye sockets on front cover, no dj, pp. Bump to top edge of front board and first few pages, otherwise a clean and bright copy. Published by Jonathan Cape, London, U. First deliveries to customers will commence in Whether you're a current or prospective Aston Martin owner, we have a range of services and information relevant to your car and ownership experience.

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Fleming - Goldfinger

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Web Special. Aston Martin Ownership Whether you're a current or prospective Aston Martin owner, we have a range of services and information relevant to your car and ownership experience. In the script, the car was armed only with a smoke screen , but every crew member began suggesting gadgets to install in it: Hamilton conceived the revolving licence plate because he had been getting lots of parking tickets, while his stepson suggested the ejector seat which he saw on television.

The first take, in which the car drives through the fake wall, [43] can be seen in the trailer. It was reused for Thunderball. Lasers did not exist in when the book was written, nor did high-power industrial lasers at the time the film was made, making them a novelty. In the novel, Goldfinger uses a circular saw to try to kill Bond, but the filmmakers changed it to a laser to make the film feel fresher.

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Ken Adam was advised on the laser's design by two Harvard scientists who helped design the water reactor in Dr No. For close-ups where the flame cuts through metal, technician Bert Luxford heated the metal with a blowtorch from underneath the table to which Bond was strapped. The opening credit sequence was designed by graphic artist Robert Brownjohn , featuring clips of all James Bond films thus far projected on Margaret Nolan 's body.

Its design was inspired by seeing light projecting on people's bodies as they got up and left a cinema. Visually, the film uses many golden motifs, reflecting the novel's treatment of Goldfinger's obsession with the metal. All of Goldfinger's female henchwomen in the film except his private jet's co-pilot black hair and stewardess who is Korean are red-blonde, or blonde, including Pussy Galore and her Flying Circus crew both the characters Tilly Masterson and Pussy specifically have black hair in the novel. Jill Masterson is famously killed by being painted with gold, which according to Bond causes her to die of "skin suffocation".

An entirely fictional cause of death, but the iconic scene caused much of the public to accept it as a medical fact. Goldfinger's factory henchmen in the film wear yellow sashes, Pussy Galore twice wears a metallic gold vest, and Pussy's pilots all wear yellow sunburst insignia on their uniforms. Goldfinger's Jetstar hostess, Mei-Lei, wears a golden bodice and gold-accented sarong. The model jet used for wide shots of Goldfinger's Lockheed JetStar was painted differently on the right side to be used as the presidential plane that crashes at the film's end.

The Continental had its engine removed before being placed in a car crusher , and the destroyed car had to be partially cut so that the bed of the Ford Falcon Ranchero in which it was deposited could support the weight.

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Since the release date for the film had been pre-determined and filming had finished close to that date, John Barry received some edits directly from the cutting room floor , rather than as a finished edit, and scored some sequences from the rough initial prints.