The Mentor is Glinda.
Each version of this character with the exception of the Carriage Driver tests Dorothy, sometimes an ally, sometimes an enemy, in concert with a Trickster. One other Trickster: Toto. The little dog is the one who precipitates everything by harassing Miss Gulch. Gets taken away, escapes, lead to Dorothy running away, discovers who the real Wizard is by pulling back the curtain, and causes Dorothy to miss the balloon flight back to Kansas when he leaps out to chase a cat. Ally, enemy, enemy, ally… tests. The journey to Oz allows Dorothy to get the intellectual awareness of how much Auntie Em has done for her, but it is through the bonding experiences with Scarecrow, Tin Man, and the Cowardly Lion that she comes to a deeper emotional understanding — these three are her friends.
Because of these newfound friendships, she discovers a sense of belonging, fulfilling her need that her home in Kansas is truly a home. As Dorothy expresses in the very last lines of the movie:. Once she returns, the place which once did not feel like a home, does, a clear example of her metamorphosis.
Slate’s Use of Your Data
This is just one many movies which reflect these five primary character archetypes. That said, I am not suggesting this is the only way to approach writing a screenplay. There is no right way to write. Every writer is different. Every story is different.
L. Frank Baum, Kansas Author
All I am suggesting is there is something going on here about this specific set of narrative dynamics as exhibited in the form of character types. This is my theory, that most movies have these five narrative dynamics at work in them:. A character or characters with a conscious goal toward which they are moving forward: Protagonist. A character or characters who provide an oppositional force: Nemesis.
A character who switches from ally to enemy, enemy to ally, and tests the will of the Protagonist: Trickster. We see this set of narrative dynamics in movie after movie after movie, enough to suggest there is a pattern at work here. So this week, a series on these five character archetypes in movies.
Today: The classic movie The Wizard of Oz. IMDb plot summary: When a nasty neighbor tries to have her dog put to sleep, Dorothy takes her dog Toto, to run away. A cyclone appears and carries her to the magical land of Oz.
The Oz books
Wishing to return, she begins to travel to the Emerald City where a great wizard lives. On her way she meets a Scarecrow who needs a brain, a Tin Man who wants a heart, and a Cowardly Lion who desperately needs courage.
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They all hope the Wizard of Oz will help them, before the Wicked Witch of the West catches up with them. Protagonist: Dorothy Gale Judy Garland.
Typically a Protagonist begins a story in a state of what I call Disunity. The Hero is making do, but feels something missing, a sense of discomfort or tension.
The private and public lives of the author of “The Fire Next Time” and “Giovanni’s Room.”
The Hero needs to change, even if they are unaware of that need. Having this thought in mind, the story of "The Wonderful Wizard of Oz" was written solely to please children of today.
It aspires to being a modernized fairy tale, in which the wonderment and joy are retained and the heartaches and nightmares are left out. Frank Baum. Chapter 1.
The Wonderful Wizard of Oz is a children's novel written by L. Frank Baum and illustrated by W. It was originally published by the George M. Hill Company in Chicago in , and has since been reprinted countless times, sometimes under the name The Wizard of Oz.